This book represents the first attempt of its kind to present a detailed,
systematic analysis of the Upamana dharmas (Tertia Comparationis) of the
various objects of comparison found in the Mahabharata. It also critically
examines the position of the Great Epic as a fascinating specimen of Oral
poetic composition abounding, as it does, in the repetitions of the poetic
formulae of the various categories. A study of some of the major figures of
speech also provides an authoritative material useful for further research
of the evolution of Tertia comparationis in the successive stages of Indian
literary tradition.
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